Category Archives: Music

Interview With Max Cavalera of SOULFLY


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If you’re familiar at all with the underground metal community, you’ve heard of Max Cavalera. He’s been hard at work writing and performing his own brand of ferocious, unapologetic heavy metal for almost 30 years.

This month he takes his band SOULFLY on the road through North America. They will be accompanied by his stepson Richie Cavalera’s band INCITE and his sons Igor and Zyon Cavalera’s band LODY KONG. The “Maximum Cavalera Tour” makes its stop in Fargo on February 27th at the House of Rock. I caught up with Max to get his insight on the upcoming tour and his most recent SOULFLY album:

LISTEN TO THE INTERVIEW HERE: Max_Cavalera_Interview_2122013

Nick Hirchert: Thanks for taking some time to talk with me. You’ve got less than a week until you hit the road again…

Max Cavalera: We actually leave tomorrow. We start the tour tomorrow in San Diego. We’re very excited about the Maximum Cavalera Tour. The whole family on tour again. It’s gonna be great, man, we’ve got Zyon playing drums for SOULFLY which is gonna keep it more in the family. We’ve got a killer setlist prepared. A lot of great songs. It’s good to be back on the road again. I’m just excited to be back on the road. It’s been too long, if you ask me.

Nick: Fantastic. When was the last time you played a show?

Max: Two months ago I was in South America with CAVALERA CONSPIRACY with my brother Igor and before that, I was with SOULFLY in Europe. About five months ago we did a big European tour, so, it’s about time to get back on the road here. I gotta ask you, is it cold there? Like real cold?

Nick: (laughs) You don’t wanna know, man! 

Max: Oh, yeah, I wanna know! (laughs)

Nick: It snowed so bad a couple days ago that they had to shut the entire city down the following day. 

Max: Holy crap!

Nick: It was a disaster!

Max: Wow. So, I better get some warm clothes then, huh?

Nick: Yeah, bring a parka if you’ve got it, maybe some long underwear… (laughs)

Max: Whoa, yeah, I am packing right now, so…after this interview I gotta go pack! (laughs)

Nick: The Maximum Cavalera tour follows up the release of your newest album “Enslaved”. What can you tell us about the new record? Is this Soulfly as we’ve come to know it or are there new innovations to your band’s sound?

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Max: “Enslaved” was a big step forward for SOULFLY. It was a heavier record, a very extreme kind of record. Some of the stuff even sounds like death metal which is really cool. I’ve been listening to a lot of stuff like that, bands like I DECLARE WAR, MOLOTOV SOLUTION, ACACIA STRAIN, PSYCROPTIC. So I wanted to make a heavier record because i’ve been into a lot of this new heavy kind of stuff and, of course, my love for death metal goes way back to the SEPULTURA days, so it was really kind of cool to make a record like that. I think it surprised a lot of fans who didn’t expect it.

We’re gonna open the show with “Plata O Plomo” this time, which is totally different. It’s a song that Tony and I sing in Spanish and Portuguese. That’s gonna be really cool and different. I’m really looking forward to this tour. We’re gonna play songs from all the SOULFLY records, even some SEPULTURA stuff and NAILBOMB which is a project I did with a lot of people. I got to dig up some different SEPULTURA songs to play, like “Straighthate” which is the first song I worked on when I did the “Roots” record. My son, Zyon wanted to play “Straighthate” during the set, so I think it’s gonna be great, man. It’s gonna be fun having the whole family on stage with me.

Nick: You have three sons (stepson Richie: INCITE, sons Igor and Zyon: LODY KONG) touring with you in their respective bands for this round of dates. How would you best describe their style of music?

Max: INCITE is more like LAMB OF GOD which is really great. I love that kind of style. I love that energetic kind of metal. It’s also melodic with really cool guitars on it and Richie is a killer frontman. I think he does a really great job. LODY KONG is completely different from everything else. They’re kind of like FUDGE TUNNEL, like THE MELVINS or MASTODON. Punk-metal, kind of heavy. I am so proud that both bands are completely different from what I do. That’s what I think is cool about our family’s bands. LODY KONG and INCITE sound nothing like SOULFLY and we’re all together on the same tour. That is gonna make the whole package different.

Nick: I agree. I’m really looking forward to it. You’ve got a pretty decent mix here and you keep it all in the family, so that’s excellent. “Enslaved” contains a song titled ‘Revengeance’  that credits contributions from you, Richie, Igor and Zyon. How did that song come about?

Max: There was an idea to do a family song. We decided to write about their brother Dana who was murdered in 1996. It has really deep, heartful lyrics. Each one of us wrote our own verses for the song and we’re all singing the chorus together. It was a very special day in the studio and the song turned out really killer. I love the energy of it, and it’s one of my favorite parts of the SOULFLY show when we all come together and do ‘Revengeance’ because it’s the end of the set. I see a lot of people taking pictures when I do that song. It’s great. We play that every night. I’m looking forward to the tour. I can’t stay home that much. If I stay home for more than 2 weeks I go crazy! I feel at home when i’m on the road, man, the road is my home. I love it. I’ve been on the road for 30 years now doing this shit. You get used to it, become addicted. I still love touring. Going from city to city, meeting the fans, playing the show, watching out the window of the tour bus. All that is part of the great experience of being on the road.

Nick: In the past, you’ve collaborated in-studio with some of the biggest names in rock. Did anyone lend their talents to the new album?

Max: Yeah, with SOULFLY, every record has at least 2 people from bands that I like. On the new record we had Travis from CATTLE DECAPITATION on “World Scum” which is a heavy, heavy song and there was a song with Dez (Fafara) from DEVILDRIVER. I know Dez from back in his COAL CHAMBER days. They used to tour with SEPULTURA. Dez is a great guy. We did “Redemption of Man By God” which is a religious kind of song. The next record that i’m working on in the studio later this year i’m recording with Terry Date, who is a great producer who did work with SOUNDGARDEN, WHITE ZOMBIE, PANTERA. I’m so excited to actually work on a whole record with him. That’s gonna come out next year and have 2 other guests. I don’t know who they are yet. It’s a blessing to be able to do these collaborations.

Nick: That’s very unique, to be able to share your talents in studio.

Max: I’m not competing with anybody. To me, it’s more about sharing the love of your music with your friends. That’s what’s great about being a musician. We are all a part of something. Metal unites everybody, from here to Singapore, to Japan, to Indonesia. Metal is metal. When you see someone with a black shirt and camouflage pants in the airport, you know this guy is metal so you can say ‘what’s up’, you know? That’s what’s great about it and what I love about collaborations. I get to work with my favorite people. Bands like CATTLE DECAPITATION–that’s not a huge band, but I love their music. They don’t need to be as big as METALLICA to work with me.

Nick: You recently made an appearance on the video game Grand Theft Auto IV by way of some downloadable content; DJ-ing for the “Blood Fire War Hate Death Metal Show” featured on one of the in-game radio stations. What was that like?

Max: It was great. I got to be a DJ on a radio station so I got to play a lot of my old favorite death metal songs I grew up with in the 80s and 90s. I play a lot of ENTOMBED, MORBID ANGEL, CARCASS, NAPALM DEATH, KREATOR. A lot of stuff that young kids today don’t know about. Without those bands, there wouldn’t be newer stuff like SUICIDE SILENCE and LAMB OF GOD–they all came from these kind of bands. I don’t really play video games much myself, but it was fun to be part of it, to be invited to do that.

Nick: With Soulfly, you put forth a very unique sound with Brazilian influence, what one could call tribal metal. Songs about war and fighting oppression. What would you say inspires your songwriting?

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Max: Through the years it started with SEPULTURA, the album “Arise” (1990) was the first time we kind of did that. There’s a jungle intro on “Arise” for the song “Altered State”. After that, we got more interested in Brazilian, started listening to more of our native sounds. We thought it’d be cool to mix metal with tribal rhythm. Not a lot of people were doing that back then so it was kind of unique. We were pioneers of it, and it felt cool to do it. “Roots” (1996) was big. We did that in a big way. We recorded with a tribe in Brazil, did an amazing collaboration with a real tribe in Brazil. It was so awesome. When I did “Soulfly I” (self-titled album, 1998) I continued the Brazilian element. I was working with the guys from CHICO SCIENCE on that record. I really like the style that came out on “Soulfly I” and it continued, but through the years I didn’t want to repeat myself. I kept looking for different things. That’s why I did albums like “Prophecy” and “Dark Ages” that were more thrash, heavier. Then “Enslaved” which is more death metal just because I always wanted to keep doing something different.

Nick: I understand you’re putting together an autobiography? Can you give us an update on that?

Max: Yeah, i’ve been working on it the last 2 years, man. It’s been great, been a lot of work. Nonstop interviews. It’s going to be very, very detailed. Stories from childhood, the creation of SEPULTURA, then the creation of SOULFLY to everything i’ve been through. There’s some funny stuff, like Lemmy (Kilmister) pouring whiskey on my head. I call that my “baptism”. I said I was baptized by Lemmy when he did that. Of course, he was doing that to get rid of me (laughs). There’s a lot of fun stuff like that. Interviews with a lot of cool people in bands. Tom Araya, Chino from DEFTONES, Sean Lennon, Sharon Osborne. The introduction of the book is gonna be done by Dave Grohl. He loves “Roots” as one of his favorite records ever. It’s gonna come out before the end of the year. I can’t wait for people to read it. It explains a lot of facts people don’t know about me, like why I really left SEPULTURA. The real reason behind it.

Nick: You’ve been writing and performing heavy metal music pretty consistently since the mid 80s. What advice would you give to any musicians eager to follow in your footsteps?

Max: I think first thing, you’ve got to love what you do because it’s a hard road. I still, even today…we’re not millionaires. Nobody makes millions of dollars. We do this because we love it. We struggle like a lot of people do, you know. We have garage sales and shit like that at my house to try to make ends meet, man, especially now that people don’t buy CDs. It became harder and harder in music, but you survive just getting by. It’s the love of music. It’s your joy. For me, when I grab my guitar and write riffs, it’s a great feeling. I get satisfied just doing that and when I know that thousands of people are gonna hear that on record that gets me excited to do more and to keep doing it. I’ve been doing this for 30 years. It’s been amazing. I wouldn’t change my life for anything. I’ve been blessed to be in a famous band, SEPULTURA, then got out of there and got to be successful with the 2nd band. Not many people have had that chance. Most people just get one shot, but I had a 2nd shot with SOULFLY and took it and made it through. It’s a lot of hard work, man. You’ve got to be committed. Got to be ready to do everything; ready to do what the other person will not. That’s what makes the difference between making it or not; you’ve got to be ready to do the things the other person will not do.

The Maximum Cavalera Tour hits the House of Rock at the Hub in Fargo on 2/27. BUY TICKETS HERE

Stay in touch with Max and his band SOULFLY:

Official site: www.soulfly.com

On Twitter: 

Facebook fan page: facebook.com/SOULFLY

ASAP Fucking Problems

Terrible Song Lyrics of The Week – ASAP Rocky (Fuckin’ Problems) – 02/10/2013

ASAP Fucking ProblemsTake a deep breath.  You are about to be blown away by a fucking all-star cast of singers on this one.

This weeks Terrible Song Lyrics of The Week are from an ‘artist’ named ASAP Rockey from his single Fuckin’ Problems.  He’s got a whole lot of problems.  Problems of fucking sucking.  This single features the all-star cast of ASAP Rockey, 2 Chainz, Drake & Kendrick Lamar.  What a crew.  Crew full of sucking.

The song starts off with the word ‘fucking’ being used 7 times out of 9 lines of so called lyrics.

I love bad bitches, that’s my fucking problem
And yeah I like to fuck, I got a fucking problem
I love bad bitches, that’s my fucking problem
And yeah I like to fuck I got a fucking problem
I love bad bitches, that’s my fucking problem
And yeah I like to fuck, I got a fucking problem
If finding somebody real is your fucking problem
Bring your girls to the crib maybe we can solve it

Solid lyric writing skills there I must say.  Here is the rest.  This great song goes on to say:

[Verse 1: A$AP Rocky]
Hold up, bitches simmer down
Taking hella long, bitch give it to me now
Make that thing pop like a semi or a nine
Ooh baby like it raw with the shimmy shimmy ya, huh
A$AP get like me
Never met a motherfucker fresh like me
All these motherfuckers wanna dress like me
Put the chrome to your dome, make you sweat like Keith

Cause I’m the nigga, the nigga nigga, like how you figure?
Getting figures and fuckin’ bitches, she rolling Swishers
Brought her bitches, I brought my niggas, they getting bent up off the liquor
She love my licorice, I let her lick it
They say money make a nigga act nigger-ish
But least a nigga nigga rich
I be fucking broads like I be fucking bored
Turn a dyke bitch out, have her fucking boys, beast

“All these motherfuckers wanna dress like me.”  No we don’t.  Seems his lyric writing skills consists of only two things.  Using the word ‘nigga’ as much as possible and talking about fucking women.

Next up is Drake.  Fucking all-star here.

[Verse 2: Drake]
Ooh, I know you love it when this beat is on
Make you think about all of the niggas you’ve been leadin’ on
Make me think about all of the rappers I’ve been feedin’ on
Got a feelin’ that’s the same dudes that we speakin’ on, oh word?
Ain’t heard my album? Who you sleepin’ on?
You should print the lyrics out and have a fuckin’ read-along
Ain’t a fuckin’ sing-along ‘less you brought the weed along
Then ju.. (Okay, I got it)
Then just drop down and get yo’ eagle on
Or we can stare up at the stars and put the Beatles on
All that shit you talkin’ ’bout is not up for discussion
I will pay to make it bigger, I don’t pay for no reduction
If it’s comin’ from a nigga I don’t know, then I don’t trust it
If you comin’ for my head, then motherfucker get to bustin’
Yes Lord, I don’t really say this often
But this long dick nigga ain’t for the long talkin’, I beast

*sigh*  He does save his best writing ability for the end that even John Lennon/Paul McCartney would be proud of.  That is the, “But this long dick nigga ain’t for the long talkin’, I beast” line.

Finally, Kendrick Lamar is up.  Fucking all-star.

[Verse 3: Kendrick Lamar]

Yeah ho, this the finale
My pep talk turn into a pep rally
Say she from the hood but she live inside in the valley now
Vaca’d in Atlanta, then she goin’ back to Cali, mmm
Got your girl on my line, world on my line
The irony, I fuck em at the same damn time
She eyeing me like a nigga don’t exist
Girl, I know you want this di–
Girl, I’m Kendrick Lamar
AKA Benz is to me just a car
That mean your friends-es need be up to par
See my standards are pampered by threesomes tomorrow, mmm
Kill em all dead bodies in the hallway
Don’t get involved, listen what the crystal ball say
Halle Berry, hallelujah
Holla back I’ll do ya, beast

“I can’t write worth a shit and have absolutely zero creativity so I talk about fucking women all the time.” – Kendrick Lamar

If you actually want to watch this shitfest then have at it.

So there you have it.  I think the words speak for themselves.  I’ll simply leave it at this.  Below is one chorus…ONE…from Tupacs song All Eyez On Me.  It blows every lyric ever written by ASAP Rockey, 2 Chainz, Drake & Kendrick Lamar combined together for the rest of their life OUT OF THE WATER.  That tells you something.

I bet you got it twisted you don’t know who to trust
So many playa hating niggaz tryin to sound like us
Say they ready for the funk, but I don’t think they knowin
Straight to the depths of hell is where those cowards goin
Well are you still down nigga? Holla when you see me
And let these devils be sorry for the day they finally freed me
I got a caravan of niggaz every time we ride (every time we ride)
Hittin motherfuckers up when we pass by (when we pass by)
Until I die; live the life of a boss playa
Cause even when I’m high, fuck with me and get crossed later
The futures in my eyes, cause all I want is cash and thangs
A five-double-oh – Benz flauntin flashy rings, uhh
Bitches pursue me like a dream
Been know to disappear before your eyes just like a dope fiend
It seems – my main thang was to be major paid
The game sharper than a motherfuckin razor blade
Say money bring bitches, bitches bring lies
One nigga’s gettin jealous, and motherfuckers died
Depend on me like the first and fifteenth
They might hold me for a second, but these punks won’t get me
We got foe niggaz, and lowriders, in ski masks
screamin Thug Life every time they pass {All Eyez On Me}

 

 

 

Taylor Swift I Knew You Were Trouble Terrible Song Lyrics

Terrible Song Lyrics of The Week – Taylor Swift (I Knew You Were Trouble) – 01/13/2013

Taylor Swift I Knew You Were Trouble Terrible Song LyricsThis weeks terrible song lyrics of the week are from Taylor Swifts song I Knew You Were Trouble.  It is from her fourth studio album, Red (2012). It was released on October 9, 2012, in the United States by Big Machine Records as the third promotional single from the album.

Which part of the lyrics are terrible you ask?  ALL OF THEM and here is why.

After going through her lyrics I was wondering if I should call the police or not.  After reading the first part of her lyrics..

Once upon time
A few mistakes ago
I was in your sights
You got me alone
You found me
You found me
You found me

I thought “OH NO!  Taylor Swift has been raped before!  Or kidnapped!  I don’t know which one but it sure sounds like the beginning of a raping or kidnapping!”

Then..

I guess you didn’t care
And I guess I liked that
And when I fell hard
You took a step back
Without me, without me, without me

Sounds like he then hits her.  To pull off a successful kidnap or rape you need to hit something and apparently it was Taylor Swift and she liked it.

And he’s long gone
When he’s next to me
And I realize the blame is on me

She says he is long gone now so now I’m suspecting a rape at this point because to kidnap you need to bring the kidnapee with you.  I’m still confused but then..

Cause I knew you were trouble when you walked in
So shame on me now
Flew me to places i’d never been
So you put me down oh
I knew you were trouble when you walked in
So shame on me now
Flew me to places i’d never been
Now i’m lying on the cold hard ground
Oh, oh, trouble, trouble, trouble
Oh, oh, trouble, trouble, trouble

FUCK!  Ok now I’m suspecting a kidnapping again because now he is flying her to places she has never been.  Solid kidnap move.

No apologies
He’ll never see you cry
Pretend he doesn’t know
That he’s the reason why
You’re drowning, you’re drowning, you’re drowning

Just completely lost at this point.  The rest of the lyrics go on.

And I heard you moved on
From whispers on the street
A new notch in your belt
Is all I’ll ever be
And now I see, now I see, now I see
He was long gone
When he met me
And I realize the joke is on me

I knew you were trouble when you walked in
So shame on me now
Flew me to places i’d never been
So you put me down oh
I knew you were trouble when you walked in
So shame on me now
Flew me to places i’d never been
Now i’m lying on the cold hard ground
Oh, oh, trouble, trouble, trouble
Oh, oh, trouble, trouble, trouble

When your sadest fear comes creeping in
That you never loved me or her or anyone or anything
Yeah

I knew you were trouble when you walked in
So shame on me now
Flew me to places i’d never been
So you put me down oh
I knew you were trouble when you walked in
So shame on me now
Flew me to places i’d never been
Now i’m lying on the cold hard ground
Oh, oh, trouble, trouble, trouble
Oh, oh, trouble, trouble, trouble

I knew you were trouble when you walked in
Trouble, trouble, trouble
I knew you were trouble when you walked in
Trouble, trouble, trouble!

My conclusion is that this is a raping/kidnapping/but not really…kind of thing.  If Taylor Swift wouldn’t be such a drama queen she would have just gotten to the point at the beginning of the song and not fucked around.

So this leaves everyone around the world wondering, IS THIS A RAPING OR A KIDNAPPING TAYLOR SWIFT?!?!?!? WHICH IS IT?!?

 

Flo Rida I Cry Sucks

Terrible Song Lyrics of The Week – Flo Rida (I Cry) – 01/06/2013

Flo Rida I Cry SucksThis isn’t the first time I’ve read some song lyrics and it left me completely speechless, confused, and scared at the same time.

This weeks Terrible Song Lyrics of The Week are from the Artist named Flo Rida (because he rides flows?) from the song I Cry (We all do flo.  We all do.)  The track was first released on September 18, 2012 as the fourth single from his fourth studio album, Wild Ones.

Ok, let’s get started.  But, there’s a problem.  I don’t know where to start.  I’ve read the lyrics from I Cry and it made ME cry because it was so TERRIBLE and CONFUSING.  See below.

I know you wanna get behind the wheel Only 1 Rida
Eyes shut still got me swimming like a diver
Can’t let go I got fans in Okinawa
My heart to japan quake losers and surviours
Norway no you didn’t get my flowers
No way to sound better but the killer was a Coward
Face just showers, the minute in a hour
Heard about the news all day went sour
Lil mama got me feeling like a limit here
Put you in the box just the presidents cigarettes
Give em my regards or regardless I get arrested
Ain’t worried about the killers just the young & restless
Get mad coz the quarter million on my necklace
DUI never said I was driving reckless
You & I or jealously was not oppressive
Oh no I can’t stop I was Destined

You know those people who have legit and severe Attention Deficit Disorder?  Where a conversation goes like this:

ADD Person: Hey.  What’s up?  You see Adrian Peterson run over everyone last week?  It was awesome.
Me: Yea.  He ran like a….
ADD Person: Uh Huh.  Yea.  Man the government spends too much.  Don’t ya think?
Me:  Well they certainly….
ADD Person:  I have to poop.
Me: You have to what?
ADD Person: Was that a bird or a bat outside?  Is it raining?  Damn, I have to go grocery shopping today.

Well, that is basically Flo Rida.  A terrible singer and songwriter with severe attention deficit disorder.

Can anyone read those lyrics and figure out W….T…..F Mr. Flo Rida is talking about?  Because I can’t.  He’s all over the board.  One sentence he says, “Norway no you didn’t get my flowers” and in the very next he says, “No way to sound better but the killer was a Coward.”  I can’t even make fun of it because it makes absolutely zero sense and I’m so confused.  After reading those lyrics I’m pretty sure you or your worthless writer just looked in the dictionary, closed your eyes, and randomly pointed at words then put them together to try and form a sentence.

Mr. Flo Rida, your lyrics are definitely terrible.

Death Metal Band Name Ideas

Death Metal Band Name Ideas #2

Death Metal Band Name Ideas

My first post of death metal band name ideas was so helpful, I’m providing my services yet again.  Below is post #2 of death metal band name ideas.  Again, please thank Bill Burns or the FM Observer if you use any of the ideas below for your band.  Any of these names are sure to get your band started off the right foot and kicking ass all over the planet.

Unicorn Dicks of Death
Ass Fisters of Furry
Fatal Rotting Diseased Grandmas
Chronic Vommit
Robot Abortion
Revolting Baby Dismemberment
Cadaver Fuckers
Fat Roll Slammers W/Piss Farts
Death Devourment
Ball Sack Explosion
Chemical Plague
Lethal Snot Bomb
Pit Spike
Ginger Goats of Masturbation
Poo Stew
Diseased Breast Implants
Cock Grinder
Elephant Rapers
Cyclops Hookers
Bucket of Evil Tits
Stool Soup
Toilet of Acid
Coffin Robber Pimps

and last but not least…..

The Fart Fuckers On Acid Mountain of Morbid Carcass Masturbation Chevy Truck Bed Skunk Piss Barbie

Terrible Song Lyrics of The Week – Ke$ha (Die Young) – 12/30/2012

Ke$ha_die_youngThe feature of this weeks ‘”Terrible Song Lyrics of The Week” is the one and only Ke$ha from her oh so terrible song ‘Die Young.’  Die Young is a single off her album Warrior.

Young hunks, taking shots
Stripping down to dirty socks
Music up, gettin’ hot
Kiss me, give me all you’ve got
It’s pretty obvious that you’ve got a crush (you know)
That magic in your pants, it’s making me blush (for sure)

These young hunks are taking shots and stripping down to their socks.  First of all, that’s illegal.  You can’t get nude in a bar dummy!  I’ve seen some wild drunks but I’ve never seen young hunks taking shots stripping down to dirty socks.  Second, you have nude hunks in their dirty socks and now they are dancing on the dance floor?  I’m confused.  That just wouldn’t fly.  Third, some people may have a crush on you but I sure don’t.  That magic in my pants that you speak of is that of a boner DYING.  So if that makes you blush, your priorities are pretty low.

In summary, you have naked hunks, nude down to their dirty socks, dancing around with boners.  Fannnntastic.

You can see the rest of the lyrics below.  Although, if nobody hears from you after reading them, I’ll assume you drowned yourself in gasoline and set yourself on fire.

“Die Young”

I hear your heart beat to the beat of the drums
Oh, what a shame that you came here with someone
So while you’re here in my arms
Let’s make the most of the night like we’re gonna die young

We’re gonna die young
We’re gonna die young

Let’s make the most of the night like we’re gonna die young

Let’s make the most of the night like we’re gonna die young

Young hearts, out our minds
Running ’til we outta time
Wild child’s lookin’ good
Living hard just like we should
Don’t care who’s watching when we tearing it up (You Know)
That magic that we got nobody can touch (For sure)

Looking for some trouble tonight (yeah)
Take my hand, I’ll show you the wild, side
Like it’s the last night of our lives (uh huh)
We’ll keep dancing ’til we die

I hear your heart beat to the beat of the drums
Oh, what a shame that you came here with someone
So while you’re here in my arms,
Let’s make the most of the night like we’re gonna die young

We’re gonna die young
We’re gonna die young

Let’s make the most of the night like we’re gonna die young

Let’s make the most of the night like we’re gonna die young

Young hunks, taking shots
Stripping down to dirty socks
Music up, gettin’ hot
Kiss me, give me all you’ve got
It’s pretty obvious that you’ve got a crush (you know)
That magic in your pants, it’s making me blush (for sure)

Looking for some trouble tonight (yeah)
Take my hand, I’ll show you the wild side
Like it’s the last night of our lives (uh huh)
We’ll keep dancing ’til we die

I hear your heart beat to the beat of the drums
Oh, what a shame that you came here with someone
So while you’re here in my arms,
Let’s make the most of the night like we’re gonna die young

I hear your heart beat to the beat of the drums
Oh, what a shame that you came here with someone
So while you’re here in my arms
Let’s make the most of the night like we’re gonna die young

We’re gonna die young
We’re gonna die young

Let’s make the most of the night like we’re gonna die young

Death Metal Band Name Ideas

Death Metal Band Name Ideas

Death Metal Band Name Ideas

In an effort to help out any new death metal bands around the area struggling to think of a name for their band, I’ve included some death metal band names you may use below.

Please give fmobserver.com credit if you end up using one of them.  These names will surely please everyone.  If any of these don’t help you out, stay tuned for part 2 of this list coming soon.

 

Dragon Testicle Death Punch
Bloody Intestine Hangers
Ass Hair Death Fire
Cunt Cutters
Necrophilia Anal Puke
Fatal Decay Skull Death Piss Fart
Eye Dagger Blood Spit
Colon Fire Of Death
Morbid Fetus Disfiguring
Decapitated Diarrhea
Scorn Flesh Droppings
Bullet Burial
Hooker Hunter
Gypsy Ballsack Impalers
Bloody Giraffe Polar Bear Kicker
Chainaxe Saw Blow Murder Blood Puddle

….and last but not least

Puke Pissing Digested Anal Neck Eye Socket Infected Poop Stool Dumper

Interview With King Buzzo of The Melvins

Buzz plays an aluminum guitar (hence the sliver finish) which gives him a very distinct sound.

Buzz plays an aluminum guitar (hence the sliver finish) which gives him a very distinct sound.

The Melvins have been around. And around. They are one of the most consistent rock bands of all time, ever since the inception of grunge in the late 80s/early 90s. They’ve made their mark on the rock & roll landscape by writing music and touring relentlessly throughout America and abroad for almost 30 years.

This year, a three-piece version of the band titled Melvins Lite that includes Buzz Osborne (more affectionately known as King Buzzo), drummer Dale Crover and stand-up bassist Trevor Dunn are attempting to make rock & roll history by touring 51 states in 51 consecutive days. The Guiness Book of World Records will be watching as the band starts September 5th in Anchorage, Alaska, then makes their way through every state in the mainland (including Washington, DC) and ends up in Honolulu, Hawaii.

I caught up with King Buzzo to get his thoughts on what has been a busy year so far that is sure to end on a high note…

LISTEN TO THE AUDIO VERSION (starts at 1:00 mark): Interview with Buzz Osborne

Buzzo: (phone ringing) Hey sorry, I was winding up my last interview.

Nick: How’d it go?

Buzzo: It was good. Baton Rouge, Louisiana. Where are you at?

Nick: Fargo, North Dakota. I’m with the FM Observer.

Buzzo: North Dakota? We’ve never actually played in North Dakota. We’ve played across the river from Fargo, but I think it was still Minnesota.

Nick: Yeah, that would be Moorhead…

Buzzo: Yeah. Right there. We’ve technically never played in North Dakota, so…

Nick: This will be new then. The crowd’s gonna be ready for you.

Buzzo: Oh yeah. They’re gonna eat us alive.

Nick: Yup. It’ll be college town, USA by the time you roll through.

Buzzo: Nobody likes us more than college kids. Us and college kids get along real well.

Nick: I bet.

Buzzo: I never went to college, so…that seems obvious!

Nick: (laughs)

Buzzo: Funniest thing is: any of my buddies who are most successful with their own businesses–none of them ever went to college! (laughs)

Nick: No, of course not!

Buzzo: Two of the guys I know just went straight into the service. (laughs)

Nick: So, let’s talk about the 51 in 51 tour. One of the most innovative and aggressive touring gameplans i’ve ever heard of. How did this idea come about?

Buzzo: I’ve heard about it since I was a kid…George Thorogood trying to do this and even says that he did it, but I know that he didn’t because I was a George Thorogood fan in 1980 when he tried to do it and I remember that he canceled it. His memory seems to have fogged at this point because I know he didn’t do it and if he did do it, why isn’t he the Guiness World Record holder which he’s not?

Nick: Exactly! He’s not in the book. It doesn’t count unless you’re in ink!

Buzzo: I talked to Guiness and they said ‘absolutely not, there is no George Thorogood’ which means that Thorogood didn’t do it. They don’t even know anything about that.

Nick: They’ve never even heard of him?

Buzzo: The thing is, after that, George got really famous for his “Bad to the Bone” song and he was surrounded by people who would’ve loved that publicity, so instead, what he did is just said that he did it.

Nick: Ah. Well, if you have people surrounding you that will believe anything you say…

Buzzo: What is the old saying? “Bullshit makes the world go ’round?”

Nick: I think that’s it.

Buzzo: I’m all for it! I am not above a publicity stunt, and that’s all that it was.

Nick: Of course not!

Buzzo: Of course not. We’re entertainers. Just like Evel Kinievel or anybody else, you know. We have to do something ridiculous!

Nick: Yeah, if it’s not something somebody hasn’t seen before…

Buzzo: Well, if everybody could do it, then it wouldn’t be a big deal. So that’s what we want. We want to try to do it. We’ve done tours where we’ve done, like, 30 some shows in a row so it’s not that many more. If you’re gonna do something like this, you’ve gotta do it right. You’ve gotta go out with a bang. Boom boom boom. Make it happen! Start in Alaska, end in Hawaii.

Nick: I cannot wait!

Buzzo: Yeah, so we’ll play Sioux Falls, SD the night before (Fargo). We’ve already played Sioux Falls, SD once with Nine Inch Nails.

Nick: No kidding?

Buzzo: Yeah. A long time ago. We also played there with Helmet as well, on July 4th, 1997. I might be wrong about that date, but i’m pretty sure. Can’t remember the name of the club, but I remember the date and the year! (laughs)

Nick: (laughs) That’s unbelievable!

Buzzo: Yeah, that’s pretty crazy. I remember years and dates like that and I don’t even know why.

Nick: Amazing. That’s like, 15 years and 1000 gigs ago. How do you remember that?

Buzzo: I don’t know. I can remember all kinds of stupid shit. I remember the venue we played with Nine Inch Nails. It was a brand new venue and Nine Inch Nails did $30,000 in damage to their dressing room that night. Sioux Falls. I remember that.

Nick: What?? (laughs)

Buzzo: That was on their “Downward Spiral” tour. It was good. So, we’re really looking forward to this. We’re gonna play North Dakota. If you’re gonna play North Dakota, you gotta play Fargo. Where else are you gonna play?

Nick: Well, that’s probably the best city North Dakota has as far as entertainment goes…

Buzzo: We figured we’d have the best time in Fargo. That’ll be good. Driving there, you’re thinking driving across Montana will never end and then you get to North Dakota and you think that will never end! (laughs)

Nick: Oh, that’s not a joke. Plus, Fargo has electricity now, so that’s a bonus!

Buzzo: Yeah, it’s way out in the middle of nowhere. You could hide from the world there, you know?

Nick: There was an 800 foot-high generator that had been powering the entire city for the last hundred years or so.

Buzzo: I don’t doubt it. Still burning buffalo chips up there.

Nick: (laughs)

Buzzo: Yeah, but like you said, that’s a big college town, so anytime there’s a college town in any state, it means there’s an influx of culture and anytime there’s an influx of culture that means there’s outside forces coming in that are gonna make thing happen that wouldn’t normally happen in a town like that. College towns have always been real nice to us. Always a good thing. I don’t have any problem with that. I’m an urban guy. I grew up out in the woods, so I want to end my life surrounded by city. Some of us don’t like nature. (laughs)

Nick: Lot of mosquitoes up here too, just for the record. I thought i’d let you know in advance but it’s not like you’re gonna be galavanting out in the woods or anything.

Buzzo: Yeah I probably won’t. It’ll probably be me, the hotel room, and the gig. That’s it. The next day we play in Minneapolis so we’re looking forward to that, too. All of it is good, you know. This is gonna be a really good thing to do. It started when we were trying to figure out if we could do this Melvins Lite thing with Trevor Dunn, so a little over a year ago we played 5 shows here in California in little places like San Diego, Fresno and San Luis Obispo to see how it would go and it went great. While we were doing that, I realized we didn’t have as much gear so I realized we could do this 51 shows in 51 states tour and we could actually make it work. That’s kind of how it happened. Then, I go ‘if we’re going to do that tour, we’ve got to put a record together’ so that’s how the FREAK PUKE record happened. Then we had that whole tour booked a year out. A year ago last fall we had this whole tour booked but we didn’t announce it ’til June after our tour with the Melvins regular lineup that includes the Big Business guys. We had both those tours booked at the same time plus the Canadian tour we just finished with the Melvins Lite. I usually don’t leave any stone unturned in that department. I like to plan ahead when I plan.

Nick: Yeah. Planning 51 in 51 a year in advance would probably be wise.

Buzzo: It was wise. I also didn’t want our promoters to know that they had us over the barrel either. But we didn’t ask them for anything outrageous. All we wanted was that date so the deal we have in Fargo would be the same deal we would have any time we would play there. We try to be as realistic as possible with every promoter we ever play with because we want to be able to come back and do another show with them.

Nick: Oh yeah. The door will always be open in Fargo.

Buzzo: Yes, we want everyone to have a good experience and we will do our best to have that happen.

Nick: Nice. So, how has the chemistry been onstage with the stand up bass? I know you guys have played with Trevor before this year…

Buzzo: Oh it’s been great. Trevor is a tremendous musician. That’s the thing. He’s also a smartass. That all helps. If you can’t deal with people making smart-ass comments, you probably shouldn’t be a musician. The previous tour went really well. I knew it would. I’d seen him play a number of times before this, but not quite in the same rock-type thing that we’re doing, but I knew it would work. Once I started thinking about songs for the FREAK PUKE record, it all just kind of fell together. So now, we have both versions of the band that are gonna go and I would think probably next year you could probably anticipate us doing a tour with both lineups of the band at once.

Nick: Interesting…

Buzzo: All we’re doing is adding one more guy. Also, this year…and I think this is also a first. I might be wrong about this, but I think it’s a first…we also have an EP coming out at the end of August that will be just in time for this tour. A 4-song EP on Amphetamine Reptile records that is the Melvins 1983 lineup doing new material.

Nick: Reuniting with Mike Dillard, is that right? Getting the original group back together?

Buzzo: Yup. That’s right. So, what we did instead of having the original bass player who, at this point i’m going to say is acting like a brat which is why we’re not using him.

Nick: (laughs)

Buzzo: We’ll use Dale Crover, our normal drummer who plays bass, and Mike Dillard plays drums. So it’s as close as we’re gonna get to the ’83 lineup. I wrote some new songs and we even recorded an old cover song by a band called The Lude that they never recorded but we had a demo of and they told us that we could record it if we wanted to, and basically gave us the song. It’s a song we used to play back then. It’s a 4-song EP and I think we’re the only band that has ever done 3 releases in one year with 3 separate lineups of the band! (laughs)

Nick: I was gonna say, you’ve got BULLS AND THE BEES, FREAK PUKE and MELVINS 1983 coming out back-to-back-to-back in the same year! I don’t think it’s been done.

Buzzo: Maybe. Maybe Frank Zappa did it, but I doubt it.

Nick: I don’t know…it would be tough to pull off back in the 70s…

Buzzo: I don’t know either. He was a pretty hard worker. I actually saw Zappa in 1981, believe it or not.

Nick: 1981??

Buzzo: Yeah. I was in 11th grade. (laughs) Frank Zappa was quite a head spin to put on an 11th-grader.

Nick: (laughs) Wow. What was I doing in 11th grade? Picking my nose in the high school parking lot, more than likely…

Buzzo: My parents had no idea what I was doing in 11th grade, i’ll tell you that. Definitely not driving 100 miles to see Frank Zappa play, know what I mean? Fortunately, my parents didn’t really care what I did. It was good.

Nick: Ah, yeah. That would give a guy a certain amount of freedoms.

Buzzo: I didn’t really care what they thought, and I didn’t get into any trouble, so it was all fine. The best part was that in the end, I don’t know if they ever had much hope for me or that any of this stuff was gonna turn out, but i’m not asking them for money, you know?

Nick: I think you’re doing all right.

Buzzo: I think the less you have to hand your offspring money, the better. (laughs)

Nick: Exactly (laughs). So, how much time are you guys giving yourself for each stop? You have a gig each day for 51 consecutive days. Are you sleeping on the road, or how will that work?

Buzzo: Well, we set it up with a lot of foresight, and I worked very hard with our booking agent to book these states on these specific days and these specific towns. That’s why we did it a year in advance, so we couldn’t fuck it up.

Nick: That’s smart, because–Austin, TX? Texas is big! You’ve got a lot of ground to cover between Austin and the next stop.

Buzzo: We’ve got to go from Baton Rouge, Louisiana to Austin, then to Norman, Oklahoma. That’s a long drive. You’ve got to understand…the freeway system in Texas is actually pretty nice.

Nick: Norman, Oklahoma?

Buzzo: Norman Oklahoma is just behind Oklahoma City. Straight north from Austin.

Nick: That’s got to be about a 6-hour drive…

Buzzo: Easily 6 hours.

Nick: Whoa.

Buzzo: But we’re not babies. What are we, a bunch of old women? Not at all! We’re grown men. It’s just driving. It’s not a big deal. People freak out about driving. I’ve never understood that. I love to drive.

Nick: Long highways, the open road. Not a ton of concerns.

Buzzo: I love it! One of my favorite things to do. I don’t like buses, and besides, this is the kind of tour you can’t do on a bus. You have to be behind the wheel. I want to be behind the wheel most of the time. We’re not going to be able to do this forever. The more hell you raise as a child, the sweeter the memories, you know? I want to have stuff to talk about when i’m almost ready to die.

Nick: You’ll never quit playing music, though, right?

Buzzo: Well, you know, most of those blues guys never quit and every time the Rolling Stones get on stage, that makes it OK for us to do it. (laughs)

Nick: Yeah! As long as they’re still throwin down jams, then anybody can.

Buzzo: They make it OK. Old people today know what rock and roll is all about. They were shaking their ass to it in the 50’s, so nobody’s going to give me any shit. We’re law-abiding citizens, by and large. This will be a fun thing to do. I’m really looking forward to it. We did this across Canada earlier this year. We didn’t play every day, but it gave us a chance to see if this Melvins Lite thing would work and it worked beautifully. I’m really happy we could have all this going.

Nick: Cool. How is it working out sonically with the stand-up bass? Is the ferocity and the loudness still there on stage?

Buzzo: You’re not going to have any problem.

Nick: Didn’t think so…

Buzzo: It works really well. We started with it playing big shows in places like Edmonton, Canada which is way farther north than Fargo and they had no problem with it. So, if they had no problem with it, I can’t imagine who will.

Nick: Nice. So are you guys keeping track of tour progress online at all?

Buzzo: Yes we are! Spin Magazine. If you look on our Facebook page you can see this thing that we did, something along those lines with Extreme Magazine in Canada (on the last tour). We will be doing a similar thing with Spin Magazine and I have a couple more ideas that I don’t want to talk about at the moment. I don’t want to ruin the surprise. Plus, along with everything else we’ve done, we’ve got a whole bunch of different releases planned for next year, too.

Nick: Releases? Plural? As in, more than one?

Buzzo: Next year is our 30th anniversary.

Nick: There must be some groundbreaking stuff coming next year.

Buzzo: Yeah. We’ll do 30 shows next year. We’ll play 30 songs a night (laughs). We’ll play venues that only hold 30 people.

Nick: (laughs) VIP only!

Buzzo: First 30 people get a free beer. How about we play a gig every 30 days! (laughs) See, the ideas never end! We’ll only play 30 minutes (laughs). Or we’ll play 30 30-minute gigs.

Nick: Or–put 30 shows together in advance, and announce the gig the night before on Facebook or something…

Buzzo: Yeah. You never know. We’ll just do Kickstarter. Whatever cities give us the most money is where we’ll go. (laughs)

Nick: When the tour concludes in Hawaii, what will you guys do to celebrate? Maybe a Hawaiian vacation is in order?

Buzzo: I think i’m just gonna come home. I like L.A. That’s where I wanna be. I’m not a big beach guy, believe it or not.

Nick: Maybe learn to surf?

Buzzo: Nah, I don’t like that. I like other outdoor activities, but not that. Too much sand and stupid people.

Nick: Going to hop on a bird and get the hell out of Honolulu?

Buzzo: I probably will. I tour all the time, so being home is like a vacation for me. We still do 85-120 shows a year, and we have for 20 years. It’s a bonus to be home.

Nick: I hear ya.

Buzzo: Look, I take what I do seriously and I love what I do. I don’t take it lightly. It’s an honor and a privilege to be a musician and going out and playing music to fans all over the whole world.

Nick: The fans know that and they respect that. I’m a fan, so I can tell you straight up.

Buzzo: We know that. We never stop and we never have. Trends come and go, but we just keep changing which is fine with me. Most of the assholes that i’ve dealt with in the music industry, it’s been my experience that all you have to do is wait and the assholes will be gone. You’ve got a promoter in some city like Cleveland or somewhere who is telling you you’ll never have lunch in that town again, but all you have to do is wait ’em out and they’re gone! We’re the last band standing.

—END—

The Melvins Lite play at the Aquarium in Fargo on September 18th. BUY TICKETS HERE

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